Why are these films from India so LOUD. Even another on the trailers was the same. I found it strange that a film in the Tamil language (which is from the south of India) was shot in the far north in Kashmir. I guess the reason is that Leo is hiding from his gangster family and this was as far north as he could get. So here is the acknowledged plot from the superb A History of Violence ramped up several if not more notches. The best thing about the film for me was the cinematography, some of the aerial shots were outstanding, and the colour was very good. The acting would be considered extremely hammy by Western standards, (the Roger Ebert website says about Vijay who plays the lead "a former child actor - still does not have much range) that was not the point of the movie. There is too much violence for me, the fights go on far too long. The plot about Leo denying his background to the very end was ridiculous. So turning an almost believable story into something that is just a fantasy was there from the very first minute.
The most ironic film title ever. The tension is there from the start in The Royal Hotel as the two Canadian backpackers stupidly agree to supplement their dwindling savings by waitressing at a bar in the outback of Australia. The locals are not exactly hostile, but the threat is always there. The 18 certificate is not there for any kind of violence but for the language of this mining community. Only a little toned down might have got a decent 15. Julia Garner and Jessica Henwick are fine, the latter takes no nonsense which gives the film it's most realistic feel. Writer and director Kitty Green has made an intelligent drama that leaves us on the edge of something ugly. I still don't know why they just didn't turn around when they arrived.
Catherine Wheatley in Sight and Sound Magazine December 2023: Unfolding as a quiet thriller ... the atmosphere is swampy, bilious.
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