Friday, 19 April 2024

Sight and Sound Magazine - May 2024

 

On the front cover is Hamaguchi Ryusuke, whose film Drive My Car was one of the best last year. See post 22nd December 2023.

The Editorial concerns that fictional character Tom Ripley. I would not have been interested in the Netflix version with Andrew Scott, but much more so for Mike Williams' discussion about Wim Wenders' The American Friend. 

Opening Scenes is all about the controversy surrounding Jonathon Glazer's acceptance speech at the Oscars.

Editor's Choice concerns a retrospective of the films of Chantal Akerman whose film Jeanne Dielman, 23 Commerce Quay, 1080 Brussels is many critics favourite film. But a three hour twenty one minute tedious documentary drama is not on my list to see. More interesting would be the BFI Southbank Events surrounding Lindsay Anderson  in "Dark British Cinema".

Preview discusses a new film Eno about Brian Eno's "musical" life. Not a review of this film, more the background to it's making. Seems a complicated movie about a complex individual conceiving "ambient" music.  I only know Eno from Roxy Music when he played synthesizer. 

Report looks at the Argentine film industry and the cutbacks by new President Javier Milei.

The Ballot Of .... looks at the favourite films of Spanish director Pablo Berger that include Hannah and Her Sisters.

The Long Take this month features Pamela Hutchinson talking about swearing in movies, including films such as the recent  Wicked Little Letters, The Ghost and Mrs Muir (1947), Atonement ("one misplaced four letter word"), The King's Speech and of course Hugh Grants expletive ridden opening to Four Weddings and a Funeral.

Flick Lit has Nicole Flattery comparing Don DeLillo's essay about the Kennedy assassination with Oliver Stone's JFK.  She asks is DeLillo's 1988 novel Libra "time for it's adaptation?". 

TV Eye: Andrew Male on why Three Body Problem is so much better than post Game of Thrones series such as Shogun. It sounds wonderful, and so does the trailer. Shame that it's on Netflix so I will just have to wait.

"A Crack Where The Light Gets In" is the title of the headline piece about Hamaguchi Ryusuke. Eleven pages in all about his career with Adrian Martin reflecting on his early movies and influences. There is then an interview at the end about his latest film. I liked the snapshots of his eighteen films which include documentaries. Drive My Car was his "biggest international success". His Wheel of Fortune and Fantasy is on my list to see. However his new film Evil Does Not Exist may not be so good. 

"The Dark Side Of The Tune" has five pages about Mika Levi, the "composer" for The Zone of Interest. More sound than music, she (sorry, "they") first worked with Jonathon Glazer on Under The Skin which I saw at the cinema. See my post of 31st March 2014, a very weird film. 

Skipping a couple of articles we arrive at the film reviews. That for Dune Part 2 seemed a little late, The Trouble with Jessica has been and gone in a week, Rose Glass's Love Lies Bleeding looks interesting. Monkey Man is too violent for me and the rest are mainly European films that will be hard to find. 

There were then quite a few pieces that were of no interest to me, nothing in DVD and Blue Ray reviews, or in Wider Screen, or in Books or Endings. From The Archive, however, is a 1973 interview with the director Richard Lester (The Beatles' films A Hard Day's Night and Help came about when John Lennon liked his The Running, Jumping and Standing Still film from 1959) and others including the three movies of The Musketeers, How I Won The War (1967), A Funny Thing Happened On The Way to the Forum (the 1966 Buster Keaton movie) and The Knack And How To Get It that won the 1965 Palme D'Or. Lester was actually born in Philadelphia but stayed in the UK. He won the BAFTA Fellowship in 2012 and is now 92! But best of all was from his 1968 film Petulia as we got a full page photo of Julie Christie.

Wednesday, 17 April 2024

Trailer for Love Lies Bleeding - Smalltown Boy by Bronski Beat

 

Occasionally a trailer for a new film has a track that I haven't heard for years. And so on Tuesday when the music for Love Lies Bleeding starts I nearly jumped out of my seat. Bronski Beat's Smalltown Boy was just perfect for that clip. And, of course, it was so loud and clear. I had to stop myself from getting up to dance! I just hope the song makes it to the main feature.

Monday, 15 April 2024

Tulip Spring Green

 

This year I tried a new colour of tulips to go in pots. Tulip Spring Green are a delicate shade of cream combined with the green edge. I was impressed.


Here they are with the last of the daffodils in the border behind.


A little windswept today by the door into the conservatory.


Best of all in the two big pots by the front door.



I just have to decide where they can go in the garden later.

World War 2 and Cinema on Sky Arts - Episode 1 - Cinema, Sound and Nazism

 

I missed this series on Sky Arts when it was first shown in 2020. So I was grateful when the three episodes were recently repeated. Narrated again by Jonathon Kydd, he tells us that for the first time, films were being made at the same time as the conflict they represented. 

Ian Nathan talked about the background with references to World War 1 and 1930's All Quiet on the Western Front. Regular presenters Simon Heffer and Derek Malcolm made contributions, the latter about the age of the boys pitched into that awful war. 

Interestingly, we see the German (Nazi) film The Triumph of the Will from 1935 being used as a tool for power. The rallies shown on the film were from different cities, all edited together. So it was actually a documentary. Olympiad (or Olympia) was also a documentary filmed by Leni Riefenstahl in 1936. In France, Jean Renoir made La Grande Illusion in 1937. Bonnie Greer told us it was about World War 1 and how France was a tired nation in the 1930's after that war. 

THE PROPOGANDA WAR

At the outbreak of war, America was trying to stay neutral. Hollywood had "The Motion Picture Production Code" that was there to stop upsetting any nation. That was until came 1939's Confessions of a Nazi Spy starring Edward G Robinson. The film showed how the Nazi Party had infiltrated the country. Somehow Jack Warner got the picture made. Then Charlie Chaplin made The Great Dictator in 1940 which was an amazing Hitler satire. Derek Malcolm said this was a highly risky project.

The same year came Alfred Hitchcock's Foreign Correspondent. The director filmed a different ending after the film was finished, to show the trauma of bombs falling on London. Carol Reed's Night Train to Munich also in 1940 showed two Englishmen on a train travelling through Germany in the early days of the war. 

DUNKIRK

At the outbreak of war, Alexander Corda promised Churchill that he would get a propaganda movie made as quickly as possible. The Lion has Wings was released in late 1939 and starred Merle Oberon and Ralph Richardson as a pilot. More like a documentary but now a historical piece. Leslie Howard starred in 1941's Pimpernel Smith. Howard was a huge star in America and came back to the UK to make British movies for far less money that he would get in Hollywood. Also in 1941 he made The 49th Parallel with Laurence Olivier and other big stars to persuade America to join the war. 

We then see a clip from a much more modern movie in 2017's The Darkest Hour with that amazing performance from Gary Oldman as Churchill. The programme then compares the 1958 version of Dunkirk (it took all that time for a film of that retreat to be made) and Christopher Nolan's 2017 film of the same name. Simon Heffer tells us it turns a defeat to "a tremendous victory for the British people". 

BRITAIN FIGHTS BACK

Leslie Howard was back in 1942, producing, directing and starring in The First of the Few. Released in America as Spitfire. Simon Heffer said "it was truly inspirational". The aircraft was a feat of British engineering. However, Howard was killed in 1943 when the plane he was travelling in was shot down. In 1942 came William Wyler's big Hollywood movie Mrs Miniver starring Greer Garson, that combined the war with romance. Derek Malcolm said it showed those who were not involved in the fighting, but who were affected by it. Ian Nathan said the country loved the film and no wonder. That last scene where the congregation sing "Onward Christian Soldiers" in a bombed out church is ended with "Land of Hope and Glory". Stirring stuff. 

Monday, 8 April 2024

Christine Falls, Learning to Swim and Reality and Dreams

 


The only reason I read the Quirke novels is because John Banville (or as Benjamin Black for these books) is such a good writer. So the mostly family drama at the beginning is fine. But at work (Quirke is a pathologist) there is a mystery about the death of one Christine Falls. He even has to have the body returned to his mortuary for closer inspection after it is moved. There is another story where a baby Christine is adopted by Andy Stafford and his wife Claire at St Mary's Convent. It is Quirke's unflagging attempts to uncover the mystery that leads him to a conspiracy between church and state. There are some unsatisfactory diversions all for the sake of nastiness. But it is Quirke's decision to accompany young Phoebe to Boston and the coastal home of the elderly Josh Crawford that finally brings the answers he was looking for. The book has pace which I thought was at the detriment of the author's usually superb prose. I guess you cannot have it both ways.


A mixed bag of short stories, most of which were published in different magazines at different times.
SERAGLIO
An unsettling story about a marriage hurt by a death in the family. The husband describes their anguish, told in the first person. Why do they stay together? They have all the money they need which enables their continental holidays. These seem to preserve their uneasy relationship.
THE TUNNEL
A young couple have just finished with school, leave home and start living together in a flat due for demolition. It's what they see from their window that gives us a horrible non-ending.
HOTEL
Our narrator leaves a type of mental hospital and after saving for many years, opens his own hotel. Successful at first but not until ...... Strange and surreal.
HOFFMEIER'S ANTELOPE
A kind of philosophical question about existence. A story about a zookeeper, as crazy as the title suggests.
THE SON
Some strange family history erupts for a man from Greece.
THE HYPOCHONDRIAC
A young GP ruminates on his marriage to a much younger wife. But more troublesome is a patient referred to as "M". who visits the surgery all the time complaining about various symptoms. The doctor has no explanation and believes there is nothing wrong. But this does not satisfy "M" until .....
GABOR
Perhaps the most memorable of these stories concerns Roger, looking back to his youth in 1957. Joining the family as a refugee is Gabor from Budapest. He's the same age as Roger, but how will he fit in?
THE WATCH
Another surreal piece about a family of clock and watch watch makers. But our narrator Adam Krepski tells us this is not a story about clock making. It is the day of his wedding anniversary, even though his wife left him thirty years before. Adam thinks about when they married in 1957. His grandfather is one hundred and fifty years old, continuing the extreme longevity of the male line. Is this all to do with the watch? Later, Adam's grandfather, now 161, accompanies him to the Sussex South Downs, leaving behind the failing shop. A fantasy that I just did not get. Such as "Our ancestors are our first and only Gods. It is from them we get our guilt, our duty, our sin - our destiny". Then " Time is circular. The longer you live, the more you long to go back, to go back". Maybe. But having toiled through this unusual story, the last ten pages are the best in the book.
CLIFFEDGE
A proper short story about a brother and a wife, and how both are lost. There are glimpses of the lives we all lead. Excellent.
CHEMISTRY
The narrator lives with his mother and grandfather in the later's house, his father having disappeared. Ralph is a friend of the mother and he eventually moves in. A cuckoo in the nest? Leading to the son and his grandfather taking up residence in the shed where they practice chemistry. Again, all very strange. Not a nice ending.
LEARNING TO SWIM
A story that lends the book it's title. Mrs Singleton is the central character, her marriage and an unexpected child. While Mr Singleton tries to teach the young boy to swim, his wife contemplates their early relationship and where that fell away. A tug of war between the two ends in neither winning.

I much prefer Graham Swift's novels so these stories were mainly a big disappointment.


I love Muriel Spark's writing. The dialogue (and there is loads of it) is just that tiny bit off kilter. Nothing is ever quite like it seems. A seemingly straightforward story of a film writer and director. Tom has fallen from a crane trying a fancy shot on his latest film. So he is recovering at home with visits from his vastly rich wife Claire, family (many spongers, redundancy in a theme that runs through the book) and friends. I enjoyed the stuff about the two daughters from different mothers. Marigold, especially, was a natural disaster. Everyone said she was difficult.

I enjoyed all the parts about Tom making pictures, especially when he goes back to the studio in a wheelchair. "The trouble with producers is that they want both an art film and a commercial success. They want sentimentality, emotion and higher moods of detachment. They want bloody everything".

Both Tom and Claire have affairs but stick together like glue. "What steadily drew him towards her was her loyalty to him which always predominated over her infidelities".

My copy of the book when it arrived was, unusually, a hardback. However, it said the cover picture was "Tours Sunset" by J.M.W. Turner. In fact it turned out to be "The Scarlet Sunset". My book was a 1996 Edition that seemed brand new. The quality of the pages and text was just superb, given it was twenty eight years old.

Thursday, 4 April 2024

Dune: Part Two, Drive Away Dolls and Mother's Instinct

 

When I reviewed Dune Part 1, I mentioned the "impressive hardware and CGI" but that they "overwhelm the story". Dune Part 2 is much the same but longer. It could easily have lost an hour. I watched it in the IMAX screen as that was how it was filmed. I have to say that, for me, it was just not worth the extra price. The script is fine, such as it was. The acting is all OK except for Austin Butler who, I thought was totally miscast as the baddie. I'm not sure if I believed in Timothy Chamalet as a great leader? The story seemed to be as incoherent as ever, I guess if you had read the Frank Herbert novel a few times it might have made more sense. So what we have left is spectacle and the IMAX screen. But give me a proper story any time.

Kim Newman in Sight and Sound Magazine May 2024 - epic in itself while being an instalment of a longer, unending story.

Whilst most of the critics advised us to steer clear, it was Tom Shone in the Sunday Times that gave Drive Away Dolls four stars. I thought it landed somewhere in the middle. Any Ethan Coen movie was going to get me there, despite his brother doing other things. Instead this film is co-written with his wife Tricia Cooke. Shone said "the complete lack of gravitas gives the film a terrific sense of lift".  At the front, back and sideways was Margaret Qualley, ramped up to eleven from her performance as Pussycat, one of Charles Manson's gang in Quentin Tarantino's brilliant Once Upon a Time in Hollywood. She's just right for the trademark Coen dialogue. Sharp, fast, modern and sometimes crude. She (Jamie) and her friend Mariam are lesbians but not lovers who hire a car for a road trip from Tallahassee to Florida. Little do they know that what is the boot (trunk) will lead them into all sorts of trouble. There is an exceptional supporting role from Beanie Feldstein (Lady Bird and Booksmart) as a cop. 

So far, so promising. Except the first half of this short (93 minute) film is predictable and unexceptional. Thank goodness the second made up for it. Tom Shone said it was a "zippy piece of trash cinema, so unencumbered with ambition or pretension". Maybe that's right.  I just liked it was a piece of original writing, there is so little in mainstream movies these days. There is a story and lots of dialogue. Good performances from all the cast and it didn't outstay it's welcome. The review in Sight and Sound magazine said "The film adopts a self-consciously trash aesthetic".  

I was amazed to find later that the producers were Working Title. I'm not sure what Tim Bevan and Eric Fellner  were doing with a film like this. Maybe they thought they ought to get out of their comfort zone. But they had supported the Coen Brothers on many films; Fargo, Oh Brother Where Art Though, A Serious Man, Burn Before Reading, and Hail Caesar.  These were the same producers for Mr Bean, Johnny English, Nanny McPhee and all the Richard Curtis movies. Now into lesbian culture. What next.

Simran Hans in Sight and Sound Magazine April 2024 - authentic to the late 90's but stuck there too.

A family drama, turned on it's head in the final act, stars Anne Hathaway and Jessica Chastain as next door neighbours in a perfect neighbourhood of the early sixties. The two actresses really go for it, if not in a subtle way. I guess we are not to take the film too seriously, but somehow you get drawn into the drama of it all. Not a black comedy exactly, but the bonkers part comes at the end. A tragedy starts things off, and that is the start of the unravelling of what was harmonious neighbourliness. I didn't agree about the Hitchcock influences in some of the reviews, he never gave us this sort of ending. 

I wonder why they gave it to first time director Benoit Delhomme? Maybe because as a cinematographer he was perfect for those elements which stood out. The setting, the fancy house exteriors, the posh interiors, the wonderful decor, the gardens, the costumes (some dresses take your breath away), the make up and the bright colours. All too perfect for the time. Both sets of parents (and the children) are immaculately dressed and their cars so swish. These are wealthy people who would always find it difficult to cope if anything went wrong. And of course it does.

I found the second half actually quite scary, as the tension mounts, probably all down to the actresses as we wonder who is bad and who is not. The final act only works as we have to remind ourselves this is the sixties when forensic science was in it's infancy. But it's the chemistry between the two stars that we have gone to see, and they do take our breath away. The critics have given the movie a mixed reception. Barry Levitt in Empire Magazine gave it four stars . "Sophisticated, adult thrillers are few and far between". Exactly right. 

Smoke in the Valley : Austerity Britain 1948 - 1951 by David Kynaston

 

I reviewed the first book in this series (A World to Build : Austerity Britain  1945 - 1948) in my post of 6th December 2023. Smoke in the Valley carries on where that left off. This is another hugely researched book but the repetitive nature of including so many extracts from different sources does at times get a little tedious. 

WHAT DO YOU SAY

At the start of the book  there are some gems. Such as the blockbuster start of the opening ceremony of the first post war Olympic Games at Wembley in 1948. And banned from the parade was the cox of the British rowing eight because he only had one leg!  We hear about the race riots in Liverpool and the vast number of people taking trains to the coast on Bank Holiday (63,287 from Waterloo alone). There are many extracts from diaries the author has found including one for Norman Wisdom at the Spa Theatre, Scarborough. We are told about the shortages, the rationing (I remember my parent's ration books quite clearly), and about how milk was delivered in churns to fill our own containers. In April 1949, sweets came off rationing, I was four. But the soap ration was terribly "insufficient". 

OH FOR A LITTLE BUTTER

As an example of the extracts from diaries, Gladys Langford (a school teacher) said "the streets are deserted, lighting is dim, people's clothes are shabby and their tables bare". We were lucky that Dad worked for a grocers. The black market was in full swing and nearly all new cars were only for export. As for television  for those very few in the south of England who had a set, there was only one hour in the daytime and two in the evening. (We were fortunate to have our first tiny black and white TV for the coronation in 1953. We were never allowed to watch commercial programmes when ITV started in 1955 when I was nearly eleven. So it was a thrill to see them when we went to stay with our grandmother). So it was the radio that prevailed in our house. Take It From Here was one of the first popular shows.  I was not keen on a lot of the political stuff, particularly the ins and outs of nationalisation.

JOLLY GOOD AS A WHOLE

We hear about the early days of the NHS and the "teething problems". Literally. The start of laundrettes (I used them all the time in the sixties), the new big housing estates and tower blocks. Quite a lot about sport, there were 46,000 outdoors at White City for some heavyweight boxing. And a full Wembley Stadium for the World Speedway Championships. Half a million applied for 85,000 tickets. At the packed cinemas came the Ealing Comedies: Whisky Galore, Kind Hearts and Coronets and Passport to Pimlico. Some disturbing stuff about the growth of communism. Austerity was compounded by devaluation.

A DECENT WAY OF LIFE

On the radio came Wilfred Pickles and his Have a Go. I remember it well as it went on for years. Variety Bandbox was live on Sunday Evenings with Eric Sykes, Frankie Howard. Listen with Mother also started on the radio. Among the extracts from diaries, a young Czech woman on a visit was amazed at the drabness, bomb damage, poor clothes and food and very little in the shops. In 1949, 6,000 people were struck down with polio. An awful disease. In 1950 the first TV transmitter outside London started up in the Midlands. 

A General Election took centre stage in February 1950. We hear about the campaigns and election parties held in big hotels, Tony Hancock performed at Claridge's and there were 2,000 at The Savoy. Labour held on to power but with a very reduced majority after that 1945 landslide.

A NEGATIVE OF SNOWFLAKES

The author paints a picture of the grim industrial landscape, the mines and the slag heaps. But not in the south. He quotes Hunter Davies from his youth: "my whole memory is of dust and dirt, industrial noise and smoke". (We were lucky to live in Totley and then Alton). The huge consumption of coal added to the smoke and smog. (Now that I do remember when we lived in London). 

PART OF THE MACHINERY

Heavy industry was a hard place to work. Even car plants had their serious injuries and deaths. (I never met my maternal grandfather who was pensioned off when he broke his back down the mines. I did know my step maternal grandfather who was missing an arm after a mining accident.)

One of the author's main sources in this section was Ferdynand Zweig, a social anthropologist who recorded numerous conversations with workers. He compared the working class with office workers, the difference in pay and job security. In 1952 he published "The British Worker" with hundreds of interviews. 

STIFF AND RIGID AND UNADAPTABLE

There is a series on the radio called What is wrong with the British Economy. Almost everything? However, British exports in 1950 were 50% higher than in 1937 and it's share of world trade was up from 21% to 25%. Only because the rest of Europe and Japan were so much worse. But then I skipped through much about the financial sector, business, the city, the Bank of England and the Stock Exchange. We hear about the newly nationalised industries and the unions. All quite boring stuff.

TOO HIGH A PRICE

How dismal for the country were the railways, roads and telecoms, all in desperate need of investment. They stumbled along compared with other countries. Then the restrictive practices run by the unions held everything back. Just look at the newspaper industry. To criticise a union official could lead to discipline or even the sack. Sixteen year old Norman Tebbit swore he would break them. The author tells us "Neither side of British Industry was willing, when it came to it, to follow the American gospel of productivity, with it's persuasive emphasis of new methods and new techniques of doing things". 

    PROPER BLOODY PRODUCTS

I enjoyed the part about motor car manufacturing. "By 1950 the British motor industry enjoyed a staggering 52% of world motor exports". In terms of overall production, that in France, Germany and Italy combined "only just exceeded Britain's 476,000. Japan only made 2,000 cars in the year. But the reliability (or should I say unreliability of British made cars) was a big problem. "A disastrous trail of breakdowns and unavailable spare parts". The industry was blighted by strikes and go-slows. It was filthy work in the factories. I was less interested in the part about mines and miners, ports and dockers.

ANDY IS WAVING GOODBYE

Hurrah! We have something about TV. But first there are the comics. The first edition of The Eagle came in 1950. I now remember that we had a newspaper delivered to us every day in the mid to late  1950's. And inside once a week was The Eagle. With Dan Dare, Pilot of the Future, and PC 49. My brother John had The Swift and Paul's was the Robin. At the time these were all hugely popular and were a great success story. Then there were the other D.C. Thomson comics such as The Beano, Hotspur, Wizard (those two were my favourites), Dandy, Topper and Beezer. Grown up magazines also did very well.

So much for some entertaining reading. A correspondent tells us that London was a "decaying, decrepit, sagging, rotten city". But eggs acme off ration and so did petrol. But the Whitsun weekend brought out every car resulting in massive traffic jams in the south. The 1950 World Cup was held in Brazil. England did eventually send a team, but they were a disaster. 

On the radio came two new shows: Educating Archie (a huge success) and Andy Pandy for children. I didn't realise how big an issue was the annual cricket match at Lords between The Gentleman (amateurs) and Players (professionals). The hierarchy at the MCC were awful. Supermarkets started up around this time, but there were still the small shops. In the summer holidays of 1950, Butlins was going strong.

THE HEAVIEST BURDEN

Back to February 1950 and the General Election. A narrow Labour victory but with a massively reduced majority. There seemed now to be very little strategy for the country. But then the government decided to support America in their war in Korea. Just when the country is recovering from the last one. 

A KIND OF MEASURING ROD

There is very little in this book about the Royal Family. I wonder why. But here they are at The London Palladium for the Royal Variety Performance. Even the rude Max Miller was on the bill. He overran so much that he held up the visiting American stars of the show Jack Benny and Dinah Shore. Completely different was a part about the Eleven Plus and how schools all gave out the results in different ways. Ten excerpts from (now) famous theatrical stars who wrote about their times at school. Then the horrors of teaching in secondary modern schools and "a pioneering survey of how the 1944 Education Act was playing out".

Back to rationing and that for meat was truly awful (Argentina was to blame), 4 to 5 ounces for a whole week. Sausages were no substitute as nearly all fat. "A meat shortage, a fuel crisis, a flue epidemic, a hastily conceived and over ambitious re-armament programme having a sharp impact on the consumer".

On New Year's Day of 1951 (I'm just six years old) comes a trial run of The Archers on The Light Programme that came after Mrs Dale's Diary. The former still going strong! TV was only provided by the BBC, but at least it was not confused by commercial aims. There were plays in the evening on the radio. In the theatre in London it was all classics, no room for modern writing or contemporary issues. 

THEIR OWN PRIVATE DOMAIN

In the April of 1951 came the first census for twenty years. The quality of housing was truly abysmal. So much was very old and dilapidated. (Even when I visited my grandmother's newer 1930's council house when I was not much older, the lavatory was outside, and toilet paper was torn up newspaper). The government was desperate to build new house but were struggling to do so. There was much argument about whether flats were the answer. This was one of the best parts of the book recounting how housing policy was left to local councils. One huge success was Churchill Gardens, 1600 dwellings in London's Pimlico on the north bank of the Thames between Vauxhall Bridge and Chelsea Bridge. The 32 blocks included nine storey flats, four storey maisonettes and three storey terraced houses. A mixed development conceived by the young architects Philip Powell and Hidalgo Moya that gained a big reputation. The London County Council handed over all housing development to it's architect's department.

A vast new estate in Glasgow called Pollok came to house residents from the slums of Govan and The Gorbals. for the first time they had an inside toilet and bathroom. But as ever, not everyone was impressed by living in a flat.

THAT DUMP?

The huge Quarry Hill Estate in Leeds was the subject of a radio programme on Friday 6th April 1951. When anyone was asked what they thought about it, the reply was usually "What, that dump?". Sunday 8th April was census day. The following day the England touring cricket team arrived back, yes, by boat! Judy Garland performed at The London Palladium. The Tuesday was Budget Day delivered by Hugh Gaitskell. Nothing exciting, but it did lead to the resignation of Aneurin Bevan who was minister for health that was followed by two other ministers, Harold Wilson and John Freeman. Preparations were underway for The Festival of Britain on the south bank of The Thames. Intrepid correspondent Gladys Langford visited and told us it was a muddle. There were 100,000 at Wembley for the FA Cup Final with Stanley Mathews on the Blackpool losing side to the winning Newcastle. But the reference to "the Mathews final" was two years premature as this was when Blackpool beat Bolton Wanderers 4-3 in 1953.  The cup final this year takes place four weeks later on 25th May.