I had to start with the three Hostas called "Fire and Ice". Even better than when they were planted over two years ago.
Next are the poppies that I grew from seed in a bare patch in the long border.
I had to start with the three Hostas called "Fire and Ice". Even better than when they were planted over two years ago.
Next are the poppies that I grew from seed in a bare patch in the long border.
I rarely buy music on CD these days. It's possibly three years since I last posted a review. Even though three of my favourite artists brought out new albums in the last year, they do not have the same impact as before. That must be me. Of the three, Freya Ridings' Blood Orange is my favourite. I reviewed two of her albums in November 2019 that were full of great songs. Her latest includes some electronic beats that I have to turn off. There are a couple of classic tracks, Weekends is the strongest but the others seem too much like her previous recordings.
The new album from Birdy is much the same. Surrender is a classic but there are far too many ordinary songs for me.
I'm not sure why I bought the latest Adele music. Probably all the hype. It's either that my tastes have changed or she has.
There are other artists whose latest albums I have avoided. First Aid Kit's Palomino is a good example. I have all their CD's but their latest seemed ordinary. It must be me.
Here are my two favourite roses. I could not find the label for the one in the long border. I believe it is called a Bengal rose. I love the dual colour.
Every year I post photos of the rose "Blue for You". Here it is again.
Saturday 8th July
Alison left very early for her 7am start time. The course was 50K so I did not expect her until after 5pm. I walked into the town for supplies from the Co-op and was out again at 11am to explore around Bakewell. First the gardens.
It was only towards the end that I felt the book had been too obviously plotted in comparing conventional southern English suburbia with the social experimentation of swinging London in the sixties. Now I have to admit that I was there from 1963 to 1968 and seem to have missed it all. I never smoked a cigarette, never mind pot. Although sharing a tiny attic in Chiswick (too small to be even called a flat) with Bob (and his occasional girlfriends in a bed a few feet away) would horrify today's young. Of course we drank, but it was only beer in those days. And the music. And the parties.
Back in suburbia, forty year old Phyllis is bored with her husband Roger and finds excitement in an affair with Nicky, the son of a friend so a much younger man. "The tenderness and sweetness in their relations disconcerted him; he had been sure he had a barren soul, incapable of such feelings. It suited him, too, that she came to him (in his room in London ..... of course) only once a week, like a lover in a book".
Far more interesting is Phyllis's sixteen year old daughter Colette, a large girl, wide, unattractive and wears glasses. But hugely intelligent, destined for great things. They should make a film about her as she bunks off school and seeing less of her mother has instilled a kind of reckless spirit. It is her introduction to that social revolution that I found most interesting. The writing, of course, is first class, this being my sixth book by this author.
It's 1985 somewhere in Ireland and times are hard. Bill Furlong has a wife Eileen and five daughters and works hard to keep his coal delivery business afloat. Christmas is coming on fast and last orders have to be made. Crucially to the story, a delivery to the Convent reminds Bill of how lucky his mother was, carrying an illegitimate child and kept on in her position as housekeeper by the kind Mrs Wilson. The girls there are not so lucky. Chapter 4 is ten perfect pages.
The next chapter is equally brilliant. At the Mass just before Christmas Bill's mind is filled with the lost girls and their hardship at the Convent, and how his five girls are so lucky compared to them. When it comes to Communion, he "stayed contrarily where he was, his back against the wall". His wife is not sympathetic.
What is he to do? Near the end there is a warning which, at first, I did not understand. But then came one act of kindness which might ruin his family. Now I remember Eileen had also warned him and what would her reaction be to this act of selfishness. This is what so upset me at the end. Not what would happen to Bill but to his family. Thank goodness we never get to know. I actually swore at Bill at the end, how could he do this? His background is no excuse for what I came to believe was a despicable act.
Someone says that Bill is as saintly as Atticus Finch. Absolutely the opposite. Another reviewer says "If you had the chance to do the right thing, no matter what the cost, would you do it". For me, this completely misses the point. What if the"right thing" ruins your family? I know what I would do, kick Bill until he realises family comes first.
It was OK. Nothing special. Missing the humour of the first two in the series. Are there any phone boxes that still work? In Staffordshire?
Originally a stage musical called The Band in 2017 based on the songs of Take That, it certainly seemed to take inspiration from Sunshine on Leith and Mama Mia. The acting talent is definitely minor league, but they gave it all they had which is all that was required. The production was first class and the, nearly all, exterior shots were pleasing. A couple of emotional moments and something that looked good on the big screen.
I was going to say that the full length songs at the beginning and the end (those from the trailer: Freight Train by Chas McDevitt and Nancy Whisky, and Last Train to San Fernando by Johnny Duncan and his Blue Grass Boys) were brilliant, just a shame what came in between. But that would have been unfair. After all this is a Wes Anderson movie. There were times when it was pretty incoherent, but it was never less than entertaining. The colour palette is remarkable, and of course we get lots of star turns as listed in the poster above. A film bursting with American acting talent.
I liked Scarlett Johansson's Midge, Jeffrey Wright and Maya Hawke as June Douglas the dancing schoolteacher. She twirls around to a skiffle group (or cowboy band in American), Montana and the Ranch Hands (complete with Jarvis Cocker on washboard) as the film is set squarely in the late fifties. The music supervisor is Randall Poster and the soundtrack is full of songs from that era, (and beyond) including The Springfields with the terrific Island of Dreams with Dusty on vocals. Focus Features have the full list on their website.
I was struggling this week for something decent. I thought I would wait a couple of weeks before I tackled Indiana Jones. So here I was, watching Jennifer Lawrence as Maddie tackle something out of her comfort zone. An edgy, grown up. distinctly American comedy. Well, that was what the first half told us. The set being quite a stupid idea with lots of silly stuff to follow. But the second half was quite a surprise as it turns into a much more solid drama, things are serious, hardly any laughs, as a relationship crumbles. We even get Mathew Broderick as her young friend's father. There is one moment that elevates the movie from ordinary, and that is when, at a fancy restaurant, Maddie's young nervous date is forced to play the piano, and choosing the Hall and Oates Maneater. We already know that Percy thinks the song is about a monster, not someone like his date.