Wednesday, 30 November 2016

Arrival, Nocturnal Animals and Allied


Smart and original, Arrival is an interesting take on the alien visitation genre. Writer Eric Heisserer and director Denis Villeneuve have created something different and intelligent from the Ted Chiang novella. Yes, there are all the old issues of various countries having their own ideas about how to cope with the visitors, but the attempts by the Americans at communication were well developed.
Amy Adams is first rate as the language expert, Jeremy Renner less so in a supporting role. Then there is the ending, which is quite a revelation given what we have already seen.


Nocturnal Animals is not for the faint hearted. The  novel that her ex husband leaves Susan (Amy Adams is excellent once again) is shown in live action, and the beginning I found hard to watch. There is an excellent contrast here between the stark, rich and pristine LA home that Adams now inhabits, and the dirty wastes of poor rural West Texas. The interesting thing is, Susan pictures her ex (played by a mesmerising Jake Gyllenhaal) in the role of the distraught father in the story, so we never actually know how much was from his own experience. Much of both stories is about revenge, but we have to wait until the end to see how this works out. Director Tom Ford has made something thrilling and provoking.


I was far more impressed with Allied than many of the critics. How can they be so huffy on an original story and screenplay, we have so few of these. British writer Steven Knight (who wrote Locke, my favourite movie of 2013) has come up with an original World War II thriller that is pacy and twisty along the way. Director Robert Zemeckis has been given a decent budget and the cinematography is superb. I can see that the critics might feel that the all important relationship between Brad Pitt and Marion Cotillard lacks chemistry. It does seem that the former's mind was elsewhere whereas Cotillard is great as always. But I thought the movie worked really well and the two hours flew by. I looked out for the parts shot at nearby RAF Halton, although we had to wait well over halfway for the first of three scenes to put in an appearance.

Tuesday, 29 November 2016

Tring Book Club - Missing, Presumed by Susie Steiner


I very rarely read crime novels, but this was a Book Club choice. On the plus side, there was very little I could object to, it was more about the lives of the detectives and their investigations rather than the building up of the nerve tangling tension that I hate, prior to something nasty happening.

Each chapter is headed with one of the character's names and I liked that. Those about Helena, the missing Edith's friend, were the best. Just a shame there were not enough.

So far, so Kate Atkinson. Unfortunately, the writing comes nowhere close. There was something that grated, I'm not sure what. There is only a rare witticism. Jonti, the furniture maker, "planed down her sharper edges". We could have done with a lot more.

Monday, 28 November 2016

The Eynsham 10K


Perfect conditions (cloudy, chilly but no wind) for my second time at the Eynsham 10k. This time running with Alison, Angie next door and her friend Lynne whose husband Alan was there to watch. Angie and I started off running together, We both were recovering from injuries, but my calf and back, and her knee were pretty much better.

We started off quite fast but then found a nice steady pace. Angie left me behind at 6k but I manged to find a group running at my pace and I managed to hang on for the remainder of the race.

Angie came in 40 seconds ahead of me, pleased that she came in under 55 minutes. My 55.32 was much better than I expected. Alison ran with Lynne all the way round with a respectable 1 hour 8 minutes. It was then time for tea and cake in the hall before going our separate ways.

Alison and I were very hungry by the time we reached Nando's in Aylesbury after 1.30pm, and demolished a sharing platter in no time at all.

English National Ballet's Nutcracker at Milton Keynes Theatre


We are so lucky that English National Ballet come to Milton Keynes every November. This year it was Nutcracker, a ballet we had not seen for many years. As soon as I read a cast list for Friday night's performance, I knew we were in for a treat. Dancing the lead role of Clara was none other that Tamara Rojo.

After 12 years as Principal dancer at the Royal Ballet, Rojo returned to English National Ballet, this time as Artistic Director and Lead Principal Dancer. (When she was last at ENB, her performances as Clara broke all box office records at the London Coliseum and The Times named her “Dance Revelation of the Year.”) She was awarded a CBE for her services to ballet in the Queen’s 2016 New Year’s Honours. So being in the middle of the fifth row was very special privilege to see such a brilliant dancer.


The first half was OK. Lots of storytelling as the child Clara and her friends spend Christmas Eve with their families. But it is not until the second half that the ballet comes into it's own. The Spanish, Arabian (my favourite), Chinese and Russian dances are superb. And Alison McWhinney is terrific as the Lead Flower.


But then comes the pas de deux. First of all the music for the first section by Tchaikovsky has just moved up to the top of my list of favourite classical  pieces. And then the dancing of Tamara Rojo and Isaac Hernandez was out of this world. Now I'm not particularly knowledgeable about ballet dancing, but I knew this was something special. The combination of the music and Rojo's technical brilliance, and being so close, this was, perhaps, the best few minutes I have spent in a theatre. I have looked on youtube at other dancers and nothing beats what we saw. In a provincial theatre on a Friday night. Unforgettable.




Wednesday, 16 November 2016

A Patchwork Planet, Exposure and The Magician's Assistant


I'm gradually catching up on my Anne Tyler's. Number eight, A Patchwork Planet"  has such an unpromising start, I wondered if it might be my last. I needn't have worried. Forty pages in it turns into one of her best. The story of Barnaby Gaitlin, (the black sheep of the Gaitlins) is superbly written in the first person, how does Tyler do it? It just shows how a domestic drama can be witty, happy, sad and so poignant. 

Barnaby does a lot of work for old people. He tells us "At Rent-a-Back I knew couple who'd been married for almost ever-forty, fifty, sixty years. Seventy two, in one case. They'd be tending each other's illnesses, filling in each other's faulty memories, dealing with the money troubles or the daughter's suicide or the grandson's drug addiction." (Here it gets interesting). "And I was beginning to suspect that it made no difference whether they'd married the right person. Finally, you're just with who you're with. You've signed on with her, put in half a century with her, grown to know her as well as you know yourself, or even better, and she's become the right person. Or the only person, more to the point. I wish someone had told me that earlier." Just brilliant.


Not my favourite book from one of my favourite authors. This time she is far more interested in the plot than anything else. Exposure is a cold war thriller that I read in a rush, not the usual dramas in which Helen Dunmore excels. The characters are still well drawn as ever, and she captures the atmosphere of 1960 England perfectly. I would just rather have one of her novels to savour rather than get to the ending a s quickly as possible.


We never meet Parsifal the Magician, "PARSIFAL IS DEAD" are the words that start this wonderful book. But through the memories of Sabine, The Magician's Assistant, he is so much alive. The glimpses of the past are superbly written. The complicated relationship of Parsifal, Sabine and Phan gradually unfolds. Also, I'm not a big fan of how dreams are described, but here they feel just right.

The biggest surprise in Sabine's life leads her from a balmy winter in Los Angeles to the snowy spaces of Nebraska. The contrast is brilliantly described. This is my fourth Ann Patchett novel. We read State of Wonder for book club, but Bel Canto, Run and now The Magician's Assistant are all much better.

Tuesday, 15 November 2016

The Ascoughs of Lincolnshire - Where East Fen Meets The Wolds

Approaching, as I am, the end of my current researches into the lives of my Ascough ancestors in Lincolnshire, I thought I would list all my current sources in chronological order. The main publications are as follows:

The History of Imbanking and Draining of Divers Fens and Marshes by Sir William Dugdale 1724 Edition. The Original Edition dated 1661 was first published in 1662 with maps by Wenceslas Hollar. 

The Fens and Floods of Mid Lincolnshire by J S Padley 1882.

A History of the Fen of South Lincolnshire by William Henry Wheeler 1897. Second Edition greatly enlarged.

English Peasant Farming - The Agrarian History of Lincolnshire from Tudor the Recent Times 1957

The Agricultural Revolution in South Lincolnshire by David Grigg 1966

The Changing Fenland by H C Darby 1983

Old and New Landscapes in the Horncastle Area by Eleanor and Rex C Russell 1985

Notes on the History of Toynton All Saints and Toynton St Peter by Ethel Rudkin 1985

The Fenland Project No 8: Lincolnshire Survey, The Northern Fen-Edge by T W Lane 1993

From Punt to Plough by Rex Sly 2003

Maps of the Witham Fens by R C Wheeler 2008

Lincolnshire Fenland Lidar by S J Malone 2012

The Lost Fens - England's Greatest Ecological Disaster by Ian D Rotherham 2013

Margins of the East Fen: Historic Landscape Evolution by Professor I G Simmons 2015



There are also other sources, listed in no particular order:

A Short History of Enclosure in Britain - The Land magazine

Lindsey Archaeological Services - Toynton Sewerage Scheme 2003

The Fen Slodgers - Skegness Magazine

In the Fens by Rex Sly

The Design for the Initial Drainage of the Great Level etc by Margaret Albright Knittl i Agricultural History Review

Witham Fourth District Drainage Board - History

A Remonstrance by a Holland Watchman 1800

An Address to Ninety Commoners by Rev Edward Walls 1807

Commoners: Common Right, Enclosure etc by J M Neeson

Enclosure of the South Lincolnshire Fens - Lincolnshire Archives

The Great Depression in British Agriculture - Wikipedia

Witham Navigable Drains - Wikipedia

Grace's Guide - Lade Bank Pumping Station

Lincstothepast.com

Cassini Historical Map    Old Series 1824   Skegness and Horncastle

OS Explorer Map: Skegness, Alford and Spilsby


I have taken notes and extracts from all the above in separate documents and my next exercise is to combine them in one consolidated narrative. It will take me a while.



Doctor Strange, The Light Between Oceans and The Accountant


It was only that Doctor Strange starred Benedict Cumberbatch (and some good reviews) that made me ditch my resolve to avoid superhero movies. Whilst he does OK, and his scenes with Tilda Swinton aren't bad, it was still a case of I wish I had stuck to my principles.


I truly believed that The Light Between Oceans would be my kind of movie, and whilst there was much to admire, it just seemed that there was a big opportunity lost. And I can only think it was down to a strange performance from Alicia Vikander. She became one of my favourite actresses after Testament of Youth, Ex-Machina, The Danish Girl and even Jason Bourne. But here she seemed to be treading water. Whether that was the script or the direction (both left something to be desired by Derek Cianfrance), but it was only Michael Fassbender who almost saved the day.


I enjoyed The Accountant far more than the previous two movies despite the holes in the plot. But this is not a film where you have to think too deeply. Ben Affleck is perfect for the role as an autistic child grown up to match his proficiency in his chosen profession with a startling abilty with his fists and guns. And he uses them all to great effect. His scenes with Anna Kendrick are sensitive and the action sequences are adequate. An original script by Bill Dubuque is pretty good and direction by  Gavin O'Connor is up to the mark. An enjoyable couple of hours.

Sunday, 6 November 2016

You Don't Own Me by Lesley Gore


Very occasionally, Strictly Come Dancing comes up with a great song that I haven't heard for years. And so it was on Saturday night that Greg Rutherford and Natalie Lowe performed a Viennese Waltz to the late Lesley Gore's 1963 hit You Don't Own Me. Written by John Modara and David White, the tune is a very fast waltz, perfect for a Viennese. Whoever found it should be congratulated. Although they probably found the recent recording by a singer called Grace accompanied by some rapper.

Lesley Gore was 17 when she recorded the song and had had her biggest hit with It's My Party.  A number one hit when she was only 16. What a great voice.


Saturday, 5 November 2016

The Commoners of East Fen - The Petition of 1784

The Ascough's living on the northern edge of the East Fen might have been amazed if, as noted by  H C Darby in his book Changing Fenland, The Deeps of the East Fen were described as "particularly bad". They provided generations with a livelihood from catching fish and wildfowl  and collecting peat, reeds and rushes for their cottages.


Darby writes: "In 1769 Thomas Pennant wrote “The East Fen is quite in a state of nature, and gives a specimen of the country before the introduction of drainage; it is a vast tract of morass, intermixed with a number of lakes, from half a mile to two or three miles in circuit, communicating with each other by narrow reedy straits: they are very shallow, none above four or five feet deep.”

He continues "During the years that followed, there were many reports into the best way to improve  the River Witham and benefit the adjacent fens (of which East fen is one) (W H Wheeler Page 212). Meetings and committees, of landowners and others interested in the project (finance for land ), followed one another. Any proposal for new cuts and different sluices was opposed by rival schemes. There was also the objection of those fenmen, who in the words of the Petition of 1784, supported themselves and their families comfortably with the produce of the East Fen, by fishing and getting coarse and fine thatch."

W H Wheeler Page 211 as follows:
"In 1784. Mill Drain (see below) was deepened and enlarged by Mr. Pacey its
of Boston, acting under the direction of certain Proprietors of land,
and the drain, leading from Nordyke Bridge to Cherry Corner, was
lowered. This produced a partial drainage of the East Fen, and
lowered the water in the deeps,' but the effect was also to destroy
the herbage in the fen and hinder the navigation of the pools and
dykes. The Fenmen thereupon erected a dam across the new cut.

In a petition sent by the Fenmen relating to this drain, they say, objections to
“It is well known that the temperate and industrious part of the
poor inhabitants of the Soke of Bolingbroke, has, for a long time,
supported themselves and their families comfortably with the produce
of the East Fen, by fishing and getting coarse and fine thatch-
Man}- of us, by the blessing of God and our own industry, has
procured a cow or two, which we used to graze in the said fen in the
summer, and get fodder for their support in winter, but, alas, of these
privileges we are in a great measure deprived by a set of men called
Commissioners, who hath imbibed such a rage for drainage, that
exceeds both utility and justice. Utility, because it destroys the
grass and herbage, and is hurtful both to farmers and poor men ;
justice, because it deprives the poor of their privileges—for the
fishery is ruined, the thatch is destroyed, the fodder very" scarce.
And to make our grievance the more intolerable, and to complete our
ruin, and show how unfeeling they are, they even now are depriving
us of the benefit we expected from the late rains, that is, of getting
our fodder and fuel to land, by running the water away out of both
fens. We, your petitioners, humbly pray you to take up our cause,
and, if possible, procure redress for us, by causing a temporary dam
to be made in Sibsey Cut for our present relief, and a permanent
stanch for our future supply ; and, if practicable, we beg leave to
recommend to your consideration two Cuts, one on the north side
and the other on the south side of the fen, to set bounds to the cattle
and supply them with water, and secure a portion of land to bring
fodder and thatch. And your humble petitioners will be effectually
relieved from that state of distress and poverty which must be the
inevitable effect of the measures now pursued And your humble
petitioners will ever hold themselves in gratitude and duty bound to
pray for your person and family." This was signed by 105 Fenmen,
of whom only 19 were unable to write their names, and made a mark.
As a result of this petition, a sluice was built across Valentine's
Drain and the water in the East Fen retained at an agreed height".

Wheeler’s book ("The History of the Fens of South Lincolnshire) is the most detailed authority on the drainage of the South Lincolnshire Fens. Originally published in 1868, the second edition of 1897 includes a Preface where he talks about more detailed research into various Acts of Parliament and many other documents. The wonderful thing about the book, for me, is that it is just the Southern Lincolnshire Fens with which he is concerned, East Fen being one of these.

Mill Drain (that is the subject of the petition above) is located in the south of East Fen, south west of The Deeps and runs towards Anton Gowt before joining the River Witham before it reaches Boston. On the top map above between "R"  and "T" of "NORTH".

At the time of the petition, John Ascough was 25 or 26, his elder brother Thomas was 27 or 28 and their father Thomas was 49. There is an outside chance that one of them signed the petition. However they were living on the northern edge of East Fen on the opposite side of The Deeps from Mill Drain. And by 1784, the common land of open fields around their villages, on slightly higher ground, had been, or was being enclosed by the Enclosure Act of 1773. “An Act for Dividing and Inclosing certain Open Common Fields, Meadows, Ings and other Commonable lands and Waste Grounds within the manor of Toynton, in the Townships of Toynton All Saints and Toynton St Peters ……”
All as detailed in “Old and New Landscapes in the Horncastle Area by Eleanor and Rex C Russell.



So it may be that by this time, the Ascough’s were employed by the new owners or tenants of these enclosed fields as farm labourers. But they might still have had an interest in the wild East Fen for catching fish and wildfowl as previous generations had done. Once a fenman, always a fenman.

Friday, 4 November 2016

Inferno, Miss Peregrine's Home for Peculiar Children and Jack Reacher: Never Go Back


You could tell Tom Hanks was struggling with this action movie. As he races across the square in the poster, just how many yards did he make? Having said that, Inferno was an expensively well made installment of the Dan Brown books. Quite good fun if you leave your brain at home


I only went to see Miss Peregrine's Home for Peculiar Children as I thought it might be something like director Tim Burton's Dark Shadows. I was wrong. This was awful. Despite being packed with great acting talent, the writing was so poor, it felt like everyone was embarrassed to be there. Burton did his best with some great visuals but when the screenplay is so clunky, I do get annoyed.


Fortunately, the script for Jack Reacher: Never Go Back is pretty good for an action movie. It has to be as the fights and chases are not overdone. However I did wonder in parts if this was not Tom Cruise in the next Mission Impossible outing. Like Hanks, he is getting a bit old for these types of movies. But at least he prepares well physically. The movie itself is again expensively made, it looks good on the ultra wide screen and is great fun. But when are we going to get something that taxes the old brain cells?

The Back Stairs


A sentence in Exposure,  the latest Helen Dunmore novel, struck a chord. "Open what looks like a  cupboard door, and there's a narrow flight of stairs which twists round on itself as it rises steeply to a landing". And again later "The stairs are steep and narrow. Servant's stairs".

When I was in my late teens, access to my bedroom at 49 London Road in Braintree was by such a "cupboard" door, this time from the dining room. The house was long and narrow. A front room then a hall then the living room leading onto our dining room and then the kitchen. There were three bedrooms upstairs and a box room. I could have shared a room with John but coveted my own space and ended up in this tiny box room at the back.

Yes, the stairs to my room were extremely steep, narrow and dark, but nobody but me used them, I guess in years gone by it could have been a maid's room? There was just room for a bed and a small wardrobe. I think my record player went on the floor. I was sixteen before I had this, my own private space. The front room was big and hardly ever used. But before I left home, I think I remember taking my record player in there, especially that last summer holiday.

Tring Book Club - House of Orphans by Helen Dunmore


Not my choice for book club, but as a dedicated reader of Helen Dunmore novels, I have to say that this was one of her best. Her writing just flows off the page; no fancy pyrotechnics but great storytelling and superbly drawn characters. We gradually get to know Eeva and Thomas and the events that bring them together in the backwoods of Finland in 1902.

The book is written entirely, and brilliantly, in the third person, alternating between the main characters. Later in Helsinki, the story of Lauri, Sasha and Magda describes the politics of "Russafication". The whole novel is intense and powerful, although I was slightly disappointed with the ending.